T H E W O R D H O R D E
Who knows, maybe you’ll learn something
As Time Passes, you’ll Learn about the things I think about. Whether that be Beówulf along with Anglo-Saxon and Old Norse Culture. The Past, Present and Future of Warfare. The Works of Robert Greene (War, Mastery, Seduction, Human Nature, & The 48 Laws). Philosophy, notably Stoicism, Critical Thinking & Logic. Criminal Psychology, Body Language, Deduction & Observation. And lastly, every once in a while, I’ll post a short story of some insight into William Scott, PI.
From Monster to Mate
This post explores John Gardner's novel Grendel as a reinterpretation of the epic poem Beowulf. It discusses how Gardner shifts the narrative perspective to Grendel, transforming him from a one-dimensional monster into a complex, introspective character grappling with existential and nihilistic themes. The note examines how Grendel challenges traditional notions of heroism, questions the nature of storytelling, and presents a more critical view of human civilisation. Ultimately, it argues that Gardner's novel subverts the original Beowulf by encouraging readers to question assumptions about good and evil and to empathise with the "monster."
Beowulf: Monsters, Moms, and a Hero's Ballsy Dive
The blog post dives into the Old English epic Beowulf with a fun, irreverent tone. It argues that Grendel is undeniably a monster and explores the motivations of Grendel's mother, referencing Jane Chance's theory that her actions stem from grief rather than vengeance. The post then analyzes Beowulf's dive into the underwater lair as a symbolic journey and highlights the heroic qualities—honor, fearlessness, selflessness, and duty—demonstrated by Beowulf. It concludes by emphasizing the poem's enduring themes of courage and the battle against darkness, inviting readers to share their thoughts on heroism and the nature of monsters.
Grendel: Monster or Misunderstood Outcast?
The text argues that Grendel is unequivocally a monster, not a misunderstood outcast, due to his violent actions in Beowulf. It then shifts to Beowulf, suggesting he embodies the Heroic Age ideals more than specifically Anglo-Saxon ones, comparing him to an 80s action hero. The piece concludes by reiterating Grendel's monstrous nature and labeling Beowulf as an action hero.